Field Notes  ·  No. 6

The Listening Premium

Listening is the most underrated operating capability in business. The operators who practice it as a structural discipline compound advantages that look like luck from the outside.

By David Lovejoy  ·  February 23, 2026  ·  9 min read

Massimo is nineteen, sitting across from his boss in a small Milanese restaurant. The boss is going through a divorce. He is also, by Massimo's own description, a complex man and not the easiest in the world. Massimo is the junior at the modeling agency, barely a year into his first real job, and there is no professional reason for him to be at this lunch. He is at the lunch because the boss invited him, and because something in him recognized that the conversation across the table was going to teach him more than the work back at the office.

I remember adapting this notion of empathy, which normally is not required into any job. I would spend time feeling empathy for him. He would open up. We would have a conversation about his troubling life, his difficulties. I really loved to take the role of support. Even if I was young, I had no experience whatsoever. But I loved that human aspect.

Decades later, when he is running Ford Models, Elite Model Management, and IMG, when he is the person who discovers Gisele Bundchen at a fashion show in Rio, Massimo will look back at this lunch and identify it as the moment his career actually began. Not the agency hire. Not the title. The lunch.

Across more than 250 conversations with founders, operators, and investors, the pattern surfaces in every domain that runs on relationships. Listening, the active and attention-directed work of understanding what another person is actually saying, is one of the most consequential operating capabilities in business. It compounds. It produces relationships that hold under pressure. It surfaces information that closes deals, retains customers, keeps talent, and prevents the kind of slow drift that kills companies one quarter at a time. Most operators are bad at it not because they cannot do it but because they have not understood what it is. They confuse hearing with listening, and the confusion costs them the relationships that would have built the company they were trying to build.

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The first essay in this series argued that candor is the most underrated operating system in business. The Listening Premium is the same argument from the other side of the table. Candor produces the truth. Listening receives it. The companies that compound have built both. The companies that stall have built neither, and the founders who lead them often cannot tell the difference between a team that is silent because nothing is wrong and a team that is silent because nothing they would say would actually be heard.

The pattern shows up at three layers. In how operators build relationships. In how they conduct the business those relationships make possible. And in the precondition of both, which is the willingness to subordinate the operator's own voice long enough to hear someone else's.

On the chemistry.

Massimo's career is a single argument made three times. The first time is the lunch in Milan. The second time happens a few years later. He is sent to pick up Eileen Ford, the founder of Ford Models, from the airport. He arrives in his Fiat 500, which is too small for her luggage. Most people in that situation would apologize and call another car. Massimo improvises.

I said, Mrs. Ford, why don't you join me in the car? And then she said, yes, wonderful. We send my husband Jerry with the taxi and every other luggage. And we connected through that journey, single-handed, to a point that I remember she said, if you ever come to New York, give me a call. I'll love to offer you a job. Which a year and a half later, I did. And she did offer me a job. And she did remember that instant where we connected.

A junior agent and the most powerful woman in the modeling industry, in a car too small for her luggage, on a single ride. Eighteen months pass. She remembers him and offers him the job that becomes his entry into New York. Massimo has a phrase for what happened in the car.

Connection with people is not a matter of time. It's not a matter of places. It's a matter of chemistry.

The third version of the argument happens in Rio de Janeiro on Massimo's thirtieth birthday. A representative from Elite tells him there is a fashion show on Copacabana Beach. He goes, half a tourist and half on the clock, and halfway through the show he sees a girl walk the runway who is not a model. She is a volleyball player. She wants to be a ballerina. He goes backstage to find out who she is, brings the concept to New York, and convinces a market that had hardened around the Kate Moss aesthetic that this Brazilian represents the next era. Six months later, on a scholarship to Elite, she arrives. Her name is Gisele Bundchen.

What Massimo calls chemistry is, in operator terms, the residue of attention. He saw the Milanese boss because he was paying attention to a man no one in the office bothered to see. He earned the chemistry with Eileen Ford because he was paying attention to her in a car ride that lasted under an hour. He spotted Gisele because he was paying attention at a fashion show that everyone else attended as a party. The attention was a posture, the same one he picked up at nineteen and never put down. The career compounded around it.

On the contract.

Mark McCormack, the founder of IMG, was a lawyer by training and built one of the largest sports and entertainment agencies in the world by treating the contract as the second-tier instrument. The first-tier instrument was the handshake. Massimo worked under McCormack at IMG before McCormack passed away.

For Mark, handshake was bigger and better than a contract. It was the sort of epitome of trustful relation with the outside. He was a lawyer by training, but he was always involved in law in a sense where he trusted human people more than trusting a piece of paper.

The instinct sounds quaint until the mechanism is named. A contract captures a moment in time and hardens around it. A handshake assumes the parties will keep listening to each other after the deal is struck, that conditions will change, that the deal that was right at signing may need to evolve. The contract assumes the opposite. It assumes the deal is finished and the parties are now adversaries with respect to its enforcement.

18 months
The gap between Massimo's airport pickup of Eileen Ford in a Fiat 500 too small for her luggage, and her unsolicited offer of a job in New York. She remembered the chemistry of one shared car ride well enough to act on it more than a year later.
Source: Massimo, on the moment that opened the New York chapter of his career.

McCormack's view was that the handshake worked because it assumed both parties were still listening. The contract was the artifact you produced if the listening had failed and you needed an instrument to compel behavior. The companies that ran on handshakes ran because the relationships were maintained. The companies that ran on contracts were companies whose relationships had already begun to fail.

On the ego.

Listening at the depth Massimo is describing requires a posture most operators have not been taught. It requires the operator to subordinate their own voice. Marti Sánchez, who runs a B2B agency built around category creation and started his career as a ghostwriter, names the discipline with unusual precision.

The most important skill that I learned as a ghostwriter was to put your ego aside. As a young man, I thought that I was right all the time, and that my way of saying things was correct. So learning that it was not my place to say the way I wanted it, but to remove my ego and fully become the client, was one of the most challenging and interesting skills that a ghostwriter needs.

Sánchez extends the analogy. The ghostwriter, he says, is closer to an actor than a writer. Every client is a different character, and the ghostwriter has to internalize the small details: the cadence, the vocabulary, whether the client is a comma person or a period person, whether they would use an em dash or never. None of those decisions can be made from the writer's own taste. They have to be made from inside the client's voice, which the writer accesses by listening at a level most operators never reach.

"Connection with people is not a matter of time. It's not a matter of places. It's a matter of chemistry." Massimo

A coach in Madrid, working with clients twice his age, described his own version of this realization. He had built his brand around social-media coaching, and his first paying clients had come for that. Then he noticed something across his early consultations.

The entire time, our entire conversations were not about the social stuff. They came to me for the social stuff, but we were actually talking about everything else. The social being of things will all come to be when you really can focus on your internal being.

The coach had to listen past what the clients were paying for to find what they actually needed. Most operators do not. They take the brief at face value, deliver against it, and never discover that the work that would have changed the client's situation was a different work entirely. The information was in the conversation. The listening to surface it was not.

The honest counterpoint.

There is a kind of operator who is genuinely not wired to be the listener. They are direct, transactional, action-oriented. The conversation that other people experience as relationship-building, this operator experiences as friction. Dan Cosgrove, who left a brand strategy role at Nike to start a mental health company, is honest about being this kind of operator and instructive about the structural workaround.

I fully recognize my limitations. My wife will be the first one to tell you it. I can't sit in a room and listen to somebody talk to me about their feelings. So I'd not be a good therapist, psychologist, or psychiatrist. I can definitely do business though. And so I found a way to open up a mental health company and hire all these wonderful therapists to be able to help the people in our community.

Cosgrove's solution is structural rather than personal. He does not try to become a listener. He builds a company whose job is listening, staffed by people who do it better than he ever will, and puts himself in the operating role that produces the architecture around them. The company depends on listening. The founder does not have to be the listener. He has to be the founder who recognized he was not, and built accordingly.

The practical claim.

If the pattern across 250 conversations holds, the practical move at every relationship-dependent decision is roughly the same. Stop optimizing for what you have to say and start optimizing for what the person across from you is actually saying. Take the meeting that has no transactional logic. Sit at the lunch you do not have to attend. Pay attention in the room when the deal is not on the table. The chemistry that compounds into a career is built in those rooms, not in the rooms where the deal is being closed.

The Listening Premium is the Candor Premium read from the other side. The operator who tells the truth is doing half the work. The operator who hears the truth is doing the other half. The companies that compound past the transitions that stall most operators have founders who built the full loop. The information that would have prevented the slow drift was always in the room. The listening to surface it was not.

What stops most operators is not capability. It is conviction. Listening looks soft. The compounding it produces is structural. The founder who learns to do it accumulates relationships, deals, hires, and information at a rate that competitors with sharper products cannot match. The founder who does not, runs a company that may have the better product and still loses, because the relationships that would have carried it through the inevitable hard quarter were never built.

The 250 founders I have spoken with suggest the listening is the easier discipline of the two. The willingness to do it is the hard part.

About this series. Field Notes is a synthesis of patterns drawn from over 250 recorded conversations with founders, operators, and investors. Each note draws from a small set of these conversations to argue something specific about how operators actually build companies.

Horizon Search is a revenue architecture advisory. Learn more at horizonsearch.com/revenue-architecture.